The play was originally developed in 1991 when the Rugby World Cup was last held in the UK. When the young people of Borders Youth Theatre then were discussing a suitable topic for a production, it was agreed that rugby played a key role in Borders life.

However, it was clear that there was genuine annoyance within the group at some of the attitudes shown towards those who play rugby and those who do not and, in particular, the obvious sexist associations of rugby at that time.

With the help of writer and director John Haswell, the young people developed Conversions – the tale of a women’s rugby team. Philip Taylor contributed the music. The aim was to celebrate as much as criticise – and to keep it fun.

With the arrival of The Rugby World Cup to the UK again the year, BYT decided it was time to revisit the theme.

A great deal has happened in the intervening 24 years, much for the better. Women’s rugby is now well established. Rugby perhaps plays a less important role in the life and identity of the Borders.

However, there has been little change in the views of many. There are still some divisive attitudes between 'sporty types’ and 'arty types’. Prejudice still exist though may be less explicit or better disguised.

John Haswell has returned to work with the young participants of Borders Youth Theatre to develop, rehearse and perform a new version of Conversions for 2105. Philip Taylor’s original music will feature. The aim is, once again, to explore the serious issues but also to raise a laugh.

And, where better to perform the new play that at The Greenyards, home of Melrose Rugby Club and an important centre for both men’s and women’s rugby in the Borders?

Rehearsals began in Jedburgh on Saturday and the young people, aged 11 to 25, had 10 days or so to create, develop and prepare for performances on Thursday and Friday, July 23 and 24, at 7pm and Saturday, July 25, at the traditional game time of 3pm.

Tickets, priced £7 or £5 concessions, will be on sale at the gate.